FORGERY LEAGUE

Tuesday 15 July 2008

Running in the family

Lots of funny little coincidences today.

I’ve been working at Evergreen for a few months now. Not long after joining, I stumbled across my father’s name on one of our pages, listed as a contact for the Field Botanists of Ontario. And today, in the big list of projects we’ve helped fund over the years, I found my mother’s name, in an image credit for a hand drawn map of Willow Park Ecology Centre in Norval, near where I grew up. (There’s a better, non-coloured version on the WPEC site.)

That also means both of us have done maps on our site (I did a bus route map a few weeks ago, partly as a change of pace from staring at HTML all day). A neat reminder of where I got a good deal of grounding in visual communication, not to mention my appreciation for the natural world. Thanks, Mum and Dad.

Happy birthday to me.

Friday 16 May 2008

Springtime

A quick summary of an eventful season:

I’m settled into my new position as web maintainer for Evergreen, an organization focused on environmental education and community-based greening initiatives. It’s a fine bunch of people, and the work feels much more worthwhile than almost anything I did working on the “agency side”.

We’ve been dropping into Don Kerr’s studio every few weekends to record the new Flickershow album - we have ten songs in progress, with vocals, guitar, bass and drums complete on almost all of them and keyboards on about half. I’m currently working on the trumpet arrangement for a recent song called “Mute”. We’ve also played a whole pile of gigs, most notably busking in front of Pages Books on Queen St, and a swell gig for Earth Hour which included an hour-long, completely acoustic songwriters’ circle.

Sean and I spent a few days in San Francisco last month - he was there to attend a couple of different conferences, and we got to visit his sister, her partner and their two black cats (it seems to run in the family). I spent several days walking all over the downtown area, and up to Fort Mason, where I visited the Long Now Foundation’s museum and shop. Spent many hours checking out every sound-related exhibit at the Exploratorium. I came home with far too many books, and a new pair of shoes - my old pair having disintegrated completely after several dozen hills too many.

Much more to come - more musical experiences; several books to discuss; and my obsession with ruins continues.

Tuesday 4 December 2007

On returning

I just spent a week in Morocco. Not somewhere I would have gone of my own accord, but for my partner it was something akin to a spiritual mission. And what an incredible, overwhelming, intense, emotional week it was - Sean likened it to gestalt therapy. (Some day I may even write about what we actually saw and did there!)

We’d planned the trip for quite a while, and as it turned out, it came at a moment of big change for us. About a week previously, Sean had made the decision to fold the little company where we’ve been working for the past few years. It’s been a tough time, getting everything in order, helping one another find new work, and finishing up a few last projects.

The biggest question: what next? For me, at least, the journey provided some time to think, and opportunity to contemplate our place in the grand scheme of things, from our vantage point on the edge of the Sahara.

The desert is a powerful symbol for me: it represents Death; the end of all things. It’s what happens to ecosystems when they go belly-up, when the soil dries up and blows away. And as we consume more, as the climate shifts, as more water is drawn up from the water table for irrigation, for the cities, as less snow falls every year on the Atlas Mountains to melt and feed the valleys below - our deserts grow.

It didn’t help matters that we’d flown across the Atlantic to get there, leaving high-altitude jet exhaust in our wake. I hate thinking about these things, but I can’t turn away. The coming decades are going to be hard ones for humanity. What we’ve got ahead of us is nothing short of a war effort - a war against chaos and collapse. I would rather not live to see half the species on the planet disappear. I would rather not live to see modern civilisation break down. I would rather not see haves and have-nots pitted against one another in a struggle over dwindling resources. But these are the possibilities we face, and I’d rather be doing something constructive than sitting in a hole pretending everything’s fine.

Far too much of our way of life has come at the cost of misery for other people and other creatures, and the destruction of ecosystems around the world. But at the same time, we’ve accomplished a lot that is great and meaningful, and I don’t believe the solution is to roll back the clock. I don’t believe that life in the past was better - merely less precarious on a grand scale.  We have to move forward, not back. We have to innovate like mad - not just mere technical innovations but ways to connect with each other and with the world around us, to find our place, to recognize the part we are playing, to find opportunities to make the world better.

The day after we got back, I spied a copy of GreenTOpia at Grassroots (very much awesome) and bought it on the spot. In the opening pages Pasha Malla writes:

What can you do? You can do what you can do. Can you type? Type something. Can you walk and talk? Walk around and talk to people. Can you use your Ph.D. in environmental science to test for and uncover the alarming release of polyvinyl chlorides from shoreline industry into the Great Lakes, then publish a report, coordinate a media campaign and pursue legal action based on your findings? Then by all means please do that, too. Ride a bike, write a letter, save a plant. We are not powerless against the They we’re up against.

It echoed perfectly what I’d been feeling (if in slightly more combative terms). I’ve decided, now that it’s transition time, that I want my next job to be in the sustainability sector, something involving permaculture, or appropriate technology. I need to be working with people who are thinking along the same lines.

I’m also hoping to have a lot more time to write and devote to creative projects, and to post more here. There’s already a section on this site called The Big Here which I intend to write for much more in the coming months. Ecology, both human and non-; architecture and design; how people relate to each other and how they adapt to different situations… it’s all part of a greater whole.

I feel like I’ve just awakened from a long sleep. I’ve got a lot of tangled underbrush to get through now, finishing up the last few projects before we close up shop, not to mention two gigs coming up. But already my head feels clearer.

Tuesday 4 September 2007

Tobermory

I’m lucky enough to work at a small company full of cool people. All friends, all the sort of people you can have a good conversation with about aesthetics or theatre or philosophy, and hang out comfortably with for a week. So this past week we all packed up and headed to a cottage near the tip of the Bruce Peninsula.

There was some shop talk, like how to get more “good” clients - the kind of organizations that are trying to make the world better - and plotting strategy for our video department. We did a bit of improv and other creative exercises, too, and there was a lot of good food, light reading, ping-pong and beach-going, as well as some hiking along the northernmost part of the Bruce Trail, which runs all the way down the Escarpment to Niagara Falls.

I did a lot of poking around in the woods and along the lake. Funny thing - while everyone else is admiring the grand, sweeping vistas, I’m usually crouched with a magnifier studying the tiniest things I can find. So I spent a lot of time this trip puttering around with our camera, exploring the possibilities of macro photography.

Of the places we visited, I think my favorite was along the rocky shore at the end of the road. The ancient, glacier-carved sedimentary rock is like a garden of miniatures - every few inches you’ll find a little crevasse or a tiny pothole that’s become home to an even tinier plant or two, comprising a startling variety of species. And of course, there were lichens and mosses and ferns, whose primitive forms hold a strange fascination for me.

In the evenings we watched Rome on DVD (ah, what a horrible, lecherous, bloodthirsty lot) and played with the camera some more. After a few light-painting experiments using exposures of several seconds, we hitched the camera to Sean’s laptop, using a piece of software called iStopMotion to create our own animations, in the style of Pika Pika.

Sean’s gone and created a Flickr set of our experiments, and uploaded a video (click the “Read more” link). A few of my photos are up on Flickr as well.

In all, a wonderful week.

Wednesday 2 May 2007

Art and music

Tonight, Sean’s out of town and M. is performing in a musical uptown, so the house will be free for Flickershow recording, hooray!

Only yesterday I was reading Muffy’s reports from the Open Ears festival and wishing I’d made it back to KW to catch it. I don’t generally get to see many shows, and the reason mostly boils down to Too Damn Busy. Either I’m working late (Sean and I seem to be home at 10pm as often as not), recording or playing with Flickershow, or recovering from the above.

I’m determined to change things around now. Coming home at a more reasonable time, for one thing; for another, working Saturday and staying home to work on music in the middle of the week, when the house is empty.

And I think I’ll have to check out some of the events at Deep Wireless: A Festival Of Radio Art. (Thanks, Torontoist.)

Here’s the latest version of the particle sim - the particles attract this time around, and have random values for mass.

I’ve cleaned up the source and commented the hell out of it, and collected most of the major parameters so they’re easy to adjust before compiling.

Source plus the containing FLA file:
Particles1_8.zip

Tuesday 15 November 2005

Building

Recently Sean, Stephen and I visited Everdale, an organic farm/education centre near Erin, this side of Guelph. We may be doing some neat work on their web site, and part of the visit was to discuss that. Part of it was just to see the place, though…  which was quite thrilling.

We’d never seen a real straw-bale built building before, and they have several. The main one is Home Alive!, a cozy little two-story house with a well thought out heating and cooling system, a rainwater catchment system, plus photovoltaic and wind power, and radiant heating in the floors and bathtub(!) The thick walls give it a wonderfully snug feeling, and deep reveals for the windows… so much of it is straight out of Christopher Alexander and co.‘s A Pattern Language. The beams are made out of recycled timbers, for an extra rustic touch.

Anyway, that got us excited all over again about the idea of building. Sean’s started talking about building a small set of offices that could serve as an “incubator” for green businesses. Sean suggested a music studio too. I’m picturing a network of people to hang out with, a room for coffee and hanging out, perhaps a little quiet space for people to do yoga or nap… I still have reservations about moving out of town, but all these ideas have me a bit more optimistic about the prospect.

Of course, the more elaborate it gets, the more time and money it takes. So I’ve been wondering what sort of stages we could go through to build something. We could start by getting land with a conventional building on it and living there, or using it as a retreat.

The initial buildings could be little detached cabins, usable later if we decide to offer the place as a retreat… but simple enough that it’s not a catastrophe if there are some mistakes. We’ll learn as we go.

The office could grow piece by piece too: one room, with some tables and a comfortable couch, a desk. Then build a second section, this one with plumbing, a two-piece bathroom and kitchen. And keep growing from there. The third section might be two stories… and so on.